Review: The Housemaid's Daughter is a thought provoking, well-written, methodical novel about the affects of apartheid on a small area of South Africa. The story is told through the eyes of Ada, the black housemaid's daughter. Ada's voice is unique and at times it was frustrating to read the novel from her point of view. There is something about Ada that would grate on my nerves at times and I've tried to figure it out but it alludes me. We follow Ada through her life as a young girl at Cradock House to her life as an old woman in South Africa.
The story got interesting when Ada left Cradock house and went to live in the village for a few years. She learned about life outside the comforts of Cradock House and how most black people lived in South Africa. She begins to understand how sheltered her life has been and how things aren't always as easy for everyone. It is the beginning of apartheid and while the color of your skin has always been an issue, it makes it essentially illegal to be black. It strips them of what little rights they did have and insights rebellion among the people.
The Housemaid's Daughter not about apartheid; apartheid is the background to this story. It is about Ada and her journey from a young girl, young woman and mother. She grows into a woman who finally understands a bit more about the world outside her small, contained world. She is still naive even into her older years. Ada never becomes worldly but she begins to understand how South Africa politics has made their way to her little part of the world. We spent a lot of time with Ada as a young woman and her later life was written quickly as a resolution to the novel.
With the recent death of Mandela, it makes the book a bit more interesting from a historical perspective. I can't even imagine the strife that the black citizens went through during the reign of apartheid.
Final Take: 3.75/5
Thanks to St. Martin's Press for my copy of the novel. Also, this is our Hashtag Book for December. You can discuss with us by using #HousemaidsDaughter.
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