Showing posts with label Ellen Meister. Show all posts
Showing posts with label Ellen Meister. Show all posts

Sunday, April 17, 2011

And The Winner Is...

The Other LifeCongratulations to Amanda M for winning a copy of Ellen Meister's The Other Life.

Please send Aliceyour address so we can get you the book!

As always we used Random.org to generate the winner.


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Sunday, April 10, 2011

Giveaway: The Other Life

The Other LifeWe have one copy of Ellen Meister's The Other Life up for grabs. Please fill out the form below to be entered. Alice's review is here.

Open US/CA only.



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Tuesday, March 1, 2011

Author Interview: Ellen Meister

Last week I reviewed The Other Life by Ellen Meister.  This week we are pleased to bring you a Q & A we had with Ms. Meister. 

GJR:  Have you wished for a fissure into another life?  If so, what would your other life be?

Ellen Meister (EM):  Indeed. I think that's why I write fiction—it's the ultimate escape into another life. And in fact, that was exactly what sparked the idea for THE OTHER LIFE. I was sitting alone in the quiet house, ready to slip through my metaphorical escape hatch, when I wondered what would happen if a married, suburban mom like me had an actual portal that led her to the life she would have had if she never got married and had kids. The idea gave me such a rush that I knew right away it had the potential to become a book.

As far as my own "other life, I suppose it would be the opposite of my busy, suburban, child-centered existence. But instead of a high drama single life in Manhattan like my character, I have a romantic vision of The Writer's Life that includes a small house in the woods somewhere in New England. I'd live alone and have a big dog, a few cats, a wood-burning stove and several well-worn cardigans.

GJR:  Depression is something very difficult to read let alone write, how hard was it for you to write a character that wrestles with that darkness? 


EM:  You're right that it can be very difficult. In fact, I had to go to a dark place in order to find Nan's despair. But while it was emotionally challenging to write, there was something gratifying about digging deep enough to find right language to convey the emotion. And of course, there's a big, comfortable gap between clinical depression and the kind of imaginary place I went to find my character.

GJR: I loved the way you described the Quinn Deconstructed paintings.  Do you paint?  Where does your love of art come from?

EM: Thanks! I do wish I had the talent to paint, but I don't. I am, however, grateful to my parents for exposing me to art at a young age. They were collectors, in their own way, and had a passion for "naïve" painting. So growing up, I understood there was more to art than capturing reality. It was a wonderful place to start and I only grew to appreciate art more and more.

GJR:  Something about Nan drew me to her.  I want to know how she went from the carefree girl in the painting to the woman cloaked in darkness.  Any plans for a Nan prequel? 

EM:  I'm so glad you were drawn to Nan. Right now, I have no plans to write more about her, but I certainly haven't shut the door on it. Of course, I would only visit the idea of writing a prequel or a sequel if I got an idea I fell in love with as much as I did with the story in THE OTHER LIFE.

GJR:  What motivates you to write?  How do you overcome the dreaded writer’s block?

EM:  It's terrible to admit, but I think that fear has always been a big motivating factor for me. It was fear about my own mortality that got me to finally stop procrastinating and pursue my dream of writing a novel. Now I'm so deep into it I don't think I could stop even if I wanted to!

As far as writer's block, I don't allow myself that indulgence. I approach writing as a job, and that means putting my butt in the seat every day and getting to work. If I don't know where a particular scene is going or I'm  having problems figuring out the direction of a story, I open up a Word document and start making notes—asking myself questions about all the different things that could happen. Eventually, the answers emerge.

GJR:  Are you working on a new novel?  If so, what is the premise?

EM:  Yes, I'm working on a novel called about a timid woman movie critic whose life is changed in all kinds of unexpected ways when she is visited by the ghost of her idol, Dorothy Parker.  The working title is FAREWELL, DOROTHY PARKER.

GJR:  Who are your favorite authors? Why?

EM: My favorite authors are those who explore the relationships between people in new and surprising ways, and whose affection for their characters—despite their flaws—goes directly from the page to my heart. It's a long, ever-changing list, but some constants include Richard Russo, Richard Yates, Elinor Lipman, Steve Almond, Susan Isaacs, Harper Lee, Maya Angelou, Alice Hoffman, John Irving, Mary Gordon, E.L. Doctorow, Jane Austen, Jonathan Franzen and J.D. Salinger.

GJR:  What are you currently reading?

EM:  A beautifully-written and thoroughly enchanting debut novel by Liz Michalski called EVENFALL

GJR:  When you write, do you have total quiet or background noise? Has this changed over the years? 

EM: I do my best writing in the morning. And I know a lot of writers love to listen to music as they work, but I find it distracting. I prefer the quiet—perhaps some white noise to drown out distractions.

I think I've always needed a quiet environment to write. I spent many years of my career as a marketing copywriter, and some of my employers thought it was fine to situate the copywriter in a cubicle right in the center of the action. This drove me mad. Even when I was writing sales promotion copy, I needed quiet to concentrate.
GJR:  How do you decide to whom to dedicate a novel?

EM:  Ah, one of the hardest things!! I always want to dedicate my books to someone I love and cherish, and I'm fortunate enough to have a big and wonderful list to choose from. The problem is narrowing it down …

GJR:  Something different:  I (Alice) have a love affair with Long Island.   If I were to plan a weekend getaway, where should I stay? What should I see?

EM:  So glad you love Long Island! Most people who come here want to see the Hamptons and Montauk Point. And I certainly wouldn't discourage anyone from visiting those beautiful places. But please be sure to make a stop at Jones Beach, which I think has the most glorious light in the world!

Thanks again to Ms. Meister for taking the time to answer our questions. 

Thursday, February 17, 2011

Alice's Review: The Other Life

The Other LifeSummary: 
Quinn Braverman is keeping two secrets from her loving husband, Lewis. One is that the real reason she chose him over Eugene, her neurotic, semi-famous ex-boyfriend, was to prove to her mother that she could have a happy, stable relationship with the guy next door.  The other is that Quinn knows another life exists in which she made the other choice and stayed with Eugene. The two lives run in parallel lines, like highways on opposite sides of a mountain. There, on the other side, the Quinn who stayed with Eugene is speeding through her high-drama, childless life in Manhattan. Here, the Quinn who married Lewis lives in the suburbs, drives a Volvo, and has an adorable young son with another baby on the way.  But the important part of the secret—the part that terrifies and thrills her—is that she knows it's possible to cross from one life to the other. So far she’s played it safe, never venturing over to see what’s on the other side. Then a shocking turn of events rattles Quinn to her very core, and she makes the reckless choice to finally see what she’s been missing. There, she not only rediscovers her exciting single life, but meets the one person she thought she’d lost forever. Her mother. But Quinn can’t have both lives. Soon, she must decide which she really wants—the one she has…or the other life?  - www.ellenmeister.com

Review:  I was very intrigued when I read the synopsis for this novel.  I am one of those people who can't help but wonder what if?  It's something I have always done.  I wonder how different my life would have been if so-and-so had chosen me, if I had stayed in college, if I actually stuck to a diet , if I took that nanny job in Florida.  So many questions without answers.

When I picked up this novel I was expecting a nice light run of the mill novel about what ifs.  If you have already guessed that's not what I got, you would be right.  This novel is so much more.  Yes, Quinn has the opportunity to see what her other life was like and yes, she can pass back and forth through them but it's so much more than that. 

There is so much I want to tell you about this novel, but like Jenn's last review, I can't because I don't want to give too much away.  I really enjoyed the time I spent with Quinn.  Ms. Meister created a real, giving, well rounded character.  It was very easy to feel empathy, not sympathy for Quinn.  She was strong beyond her own comprehension. 

My favorite character was Nan, Quinn's artist mother.  Right from the beginning I felt a bond with the damaged woman who gave up everything for the sake of her family.  I felt her struggles, I sat with her in that darkness, I saw the world through her eyes.  She was beautifully flawed.  If I had one literary wish, it would be for Ms. Meister to write Nan's story. I want to know where she began and what happened to bring her to her resolution. 

If you are looking for a nice light read, this novel isn't it.  If you are looking for a novel that will bring you to tears in the best way possible, this is it.  There is so much good in this novel.   My favorite chapters are the Quinn Deconstruction paintings.  I loved the way Nan describes the paintings.  I could picture them in my minds eye.  I would buy one if they were real.

I leave you with this little morsel.  There is a scene in the novel where a woman is crying out in anguish.  Ms. Meister describes it as "It came from the place where loss met fury."  Man, I loved that line.  That's some good stuff.  So good that I felt it too. 

Final Take:  4/5

Thanks to Lydia Hirt of Putnam Books for providing me with this advanced copy. 

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